Whose subversion is this, anyway?
Common, an equation
of work and wetness
that persists in an
unspoken projection
of brute nakedness,
toward they who la-
bour, out of light,
yet dreaded anyway,
as if someday, some
debt might be paid,
or worse: some fact
affirmed in school.
One of these photos
was a work of espi-
onage. It had to be
coherent and timely.
Why is it so alive?
i Alexander McQueen
men's mackintosh
iii Edith Tudor-Hart
Bath, Colliers' Drying Room
Northumberland
1937
George Orwell
The Road to Wigan Pier
1937
op. cit.
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