Saturday, January 17, 2015
Saturday commute c: settling into something fresh
When one considers how keenly London,
like all large cities, resents physic-
al exercise, unless taken with some
practical and immediately utilitarian
object in view, this young man's calm,
as he did this peculiar thing, was a-
mazing.. The whole thing affords a re-
markable object lesson of what a young
man can achieve with patience and per-
severance.
And so it was, that again
I found myself outside in
plain view, so to speak,
in taking on a new bit of
reading in which I knew I
should be unable to inter-
est a soul. This is from
the opening paragraphs of
a text I opened last night,
published a hundred years
ago. London has grown more
tolerant of public calis-
thenics, if rather less of
unutilitarian, much less
escapist research in print.
Yet I predict the same even-
ing of the score, that comes
with cashmere sweats, for a
reader who's willing to com-
mute his Saturday sentence
to 100 refreshing reps.
Even the little children who infested
the [square] forbore to scoff, and the
customary cat rubbing itself against
the railings rubbed on without a glance.
P.G. Wodehouse
Something Fresh
1915
Overlook Press, 2005©
Thursday, January 15, 2015
Acuity
If I owe nothing else to
Richard Diebenkorn, I'm
in no position to deny
that he destroyed all in-
terest in optical accura-
cy, by showing what it is.
One is grateful to discov-
er the fault line of the
senses - eventually - and
every single mentor is re-
called, beyond the shock.
And to think, that house-
hold chores are what are
thought to inculcate the
moral sense.
cy, by showing what it is.
One is grateful to discov-
er the fault line of the
senses - eventually - and
every single mentor is re-
called, beyond the shock.
And to think, that house-
hold chores are what are
thought to inculcate the
moral sense.
Richard Diebenkorn
Horizon Ocean View
1959
Tuesday, January 13, 2015
Then there was the time I found Farrow & Ball
Out of the corner of my eye
at one of our newspaper sites
today, I noticed a reference
to a time the President stum-
bled in upon his valet enter-
taining someone in bed. I for-
bore to read on. Who hasn't
encountered the odd limb as-
kew here and there, in the
mildest of inquiries? This
would be nothing, anyway, to
that afternoon some years a-
go, I wandered into a room-
ful of painters, slathering
What draws the edge, join-
ing jamais and déjà vu?
Richard Serra
Corner in teal
undated
Georges Seurat
Man on a parapet
1882
Sunday, January 11, 2015
Sunday in the park with testosterone
This is beautiful country around here.
What is it all, anyway?
Oh, part of our place.
George Cukor
director
Donald Ogden Stewart
screenplay
James Stewart '32
Katharine Hepburn
The Philadelphia Story
Metro-Goldwyn-Mayer, 1940©
La souplesse
In the time that it takes
to break in a pair of jeans,
it's virtually certain that
the sweater one planned for
it will portray its limits.
To see this as a betrayal of
the sweater, is paranoiac.
To see a natural fit as in-
decent, is dogmatic. I do
not think the French will
lose their genius for sup-
pleness, their discipline.
pleness, their discipline.
If like so many others
I had been a miscreant,
I should be happy as
they are!
François Marie Arouet
Voltaire
Zadig, ou la destinée
1747
Ben Ray Redman
editor and translator
The Portable Voltaire
Viking Penguin, 1949©
Louis Gaillot