We don't have to crop a Vivian Maier
photograph, to pare it to essentials.
We just have to look at it. How fam-
iliar she finds the subject's own an-
nouncement, I am 7 when right-handed,
8 when I'm left. For all the many in-
formative features of a Vivian Maier
photograph, there's no cluttering its
unforgettability. We take in every-
thing we see, as utter verification.
Vivian Maier
Rolleiflex photograph
full field
1956
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