And if I touch aright that quiet tone,
That soothing truth that shadows forth their own,
Then many a year shall grow in after days
And still find hearts to love my quiet lays ..
What an expedition,
we always find in
reading Clare, he
conceives his lan-
guage to afford,
and dares making.
Not of return, not
of invasion, of dis-
covery anticipated;
not as an exile, or
an invalid. He walks
free. His verse re-
ceives him, nothing
brittle there.
I can wish to know
no better.
John Clare
"I Am"
The Selected Poetry
The Eternity of Nature
[fragment]
1835
Jonathan Bate
editor
op. cit.
Common, an equation
of work and wetness
that persists in an
unspoken projection
of brute nakedness,
toward they who la-
bour, out of light,
yet dreaded anyway,
as if someday, some
debt might be paid,
or worse: some fact
affirmed in school.
One of these photos
was a work of espi-
onage. It had to be
coherent and timely.
Why is it so alive?
i Alexander McQueen
men's mackintosh
iii Edith Tudor-Hart
Bath, Colliers' Drying Room
Northumberland
1937
George Orwell
The Road to Wigan Pier
1937
op. cit.
Depending on the motive,
we never complain of the
opportunity.
It follows, that the ges-
tures we admire least am-
bivalently, exult in the
sweetest motives.
Essential reading.
Luke Edward Hall
project for a framing
fragment
2015©
"Settlements?"
What settle-
ments?
We, after all, also
elected a Bush more
often than, for the
peace of the world,
we should have done.
Maybe there are two
societies, for whom
it'd be polite, not
to enact democracy.
Just a thought.
Joseph Beuys
1921 - 1986
"I occupy space," Le Corbusier
remarked in a turn on Descartes,
"therefore, I am." What we have
contemplated as space-occupying
behaviour is an inevitably re-
curring matter of human thought,
and as we've seen, of physics.
How can we know, if we do this?
i, iii Adrien Sahores
ii JMW Turner
Moonlight with shipping
ca 1830
iv Baz Ratner, Reuters
The New York Times
March 16, 2015©
An undercurrent here,
a fine excuse to re-
sort to the fundamen-
tals. Over time, it's
become clear, where a
table draws one back.
Elliott Erwitt
Mary & Robert Frank
Valencia, 1952
Robert Frank
Venice
1961
Walker Evans
The Bowery, New York
1934
Valéry Lorenzo
Toulouse
2012
Tim Schuhmacher