What to hang, what to show, and
how to do it are questions that
may have been laid by for such
a long time, to confront them a-
gain is surprising enough, that
their surprise is, surprise has
The answers really are not iden-
tical in every place, but is the
new place a repeal of experience
or yet more of it? I've been rum-
maging through former solutions,
either lived or observed, to less
avail in guidance than one would
have thought, given how expedient
they seemed at the time. Then it
can begin to seem possible, that
one endows the frame of one's
domicile with too much purpose,
if not imagined purpose; but in
a condition of having choices,
it seems somewhat fundamental to
understand what they mean, what
they can do, their limitation as
illusions against happenstance.
Claude Picasso
x Richard Avedon
1967
Richard Avedon Foundation©
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