Wednesday, April 10, 2013

Beneath his luminous eyes, people were troubled by Sheridan's face






The man who stepped out onto the street
was of medium height, broad-shouldered,
and well-built, giving the impression
of being large but not fat. His face,
though not very handsome, had an ambigu-
ity which people found fascinating.

Lord Byron said of him that 'the upper
part of Sheridan's face was that of a
god - a forehead most expansive, an eye
of peculiar brilliancy and fire; but be-
low he shewed the satyr.'


The brilliant Irish patriot and Parlia-
mentary nemesis of that deity of twits
on the American Right, Edmund Burke, was
probably afflicted by what his biographer,
Fintan O'Toole, diagnoses as a strepto-
coccal infection affecting the face. He
was certainly inflected by wit, which in
his early 20s he bestowed on the English-
speaking stage as The School for Scandal,
The Rivals, and The Critic (1775-79).

But possibly his greatest contribution
to his time and to the history of ideas,
in fact, lay in his resort to the theatre
to check the morbid absorption of social
climbers in the myths of the marketplace.
This gracious intervention of satire at-
tained a climax in his time which was the
natural reflex to the exposed lecheries
of "the invisible hand" of money interest.

Our domestic wits have been flaying us
all again this week with the nostrums of
Thatcherism. Let them be met critically.

























Jean-Christophe Agnew
Worlds Apart: The Market
  and the Theater in Anglo-
  American Thought, 1550-1750
Cambridge University Press, 1986©


Fintan O'Toole
A Traitor's Kiss: The Life of
  Richard Brinsley Sheridan,
  1751-1816
Farrar, Straus & Giroux, 1998©



Monday, April 8, 2013

Tidying up




Over the weekend, we all 
had the opportunity to see 
in The New York Times --


everyone who’s come up through Ivy League culture knows intuitively — that elite universities are about connecting more than learning, that the social world matters far more than the classroom to undergraduates ..


Ignoring the vulgarity of the thought of 'coming up,' much less through a culture, if it exists, with which all are inspired and enabled to contend at these ostensibly elite institutions (and why is it, do we suppose, that this adjec-tive always draws a pass when its relevance is being assert-ed?), we reach the defining vulgarity of the argument, a canard without substantiation because it is so universally accepted, that an X undefined, when a fixation of the critic, is more material than a Y his claim repudiates by prejudice. With rhetoric like this, a man doesn't need a brown shirt.

Anti-intellectualism in professional scribes is nothing new, but in Conservatives, to the odour of envy there is something intolerable added. Betrayal of duty. Douthats grow on trees; these tiresome jests have the timeliness of Iago and the blindness of Othello; their telltale bitterness excites the earnest prayer for fresh air. But in this column Ross Douthat has surmised a hypocrisy in others that would do credit to his own. 

I doubt this can be done.












Hurricane photo, 57th Street
The New York Times