The other day a columnist
for The Washington Post -
or would that be, a blog-
ger; one never knows, in
the Amazon kingdom, where
the stuff is coming from -
was hailing a subsidence
of the Tea Party's ram-
page against the 5th Com-
mandment, and I found my-
self tallying the list of
deficiencies in that pro-
ject, of chastising the
Republican Party for ad-
mitting modernity through
the blinders. Is it too
late a stage in this dawn-
ing transition into back-
sliding, to speak up for
traction in the tea cup?
Something has happened, as
I know you don't need to be
told, to the composition of
our materials. Some kind of
hamburger helper concoction
has invaded our porcelain,
a weirdly shiny agent of
slipperiness, which I sup-
pose could be some cousin
of that non-glass stuff
that's going into glass
these days, in bar tumb-
lers of exotic endurance.
And this, mind, is taking
place at the very time
that Lucretius' knowing
complaint on behalf of a
supporting finger, is be-
ing addressed by reducing
the diameter of the ring
to a mockery of digital
passage (not that it was
ever to be condoned). That
is to say, it's getting so
one can't get a grip anymore.
Far be it from anyone's in-
tentions, "after" what we're
going through with the Repub-
licans - always assuming, our
scribe is on to a trend, be-
yond coincidence - to open up
a purge of the purgers, some
indelicate raising of stakes
in a game that was naughty in
the first place. But a decline
in our mettle is just certain
to settle, if a shtetl's new
kettle is not swept, pristine.
As they say.
We repulse the slippery slope
of tractionless teacups today,
or we defend against this slip
and fall of civilisation, it-
self, in backlit boots of mil-
itancy. (Whee! These bipolar
binomials are fun, I've always
wanted to try one). Nor is the
slide confined to tumblers and
go-go first responders, anymore.
Even as we speak, we're find-
ing an addition to one of the
page's preferred edifices, con-
fected of concrete diluted by
2 percent glistening titanium.
And these are bearing walls,
mind you, no dangling scrims
for Renoir and Rubens and such
stuff. How on earth, may we at
least demand, could this have
come to pass in Texas?
Martin Filler
No Harm to the Kimbell
The New York Review of Books
December 9, 2013
Renzo Piano Building Workshop
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