How oddly his promise of "lawn order"

    resounds with nostalgia

    for splinters

Bright day of night, Provence

Ah, Sunflower!

Preparing for that presence, the pod
chose a man's height, set its cleats in the leaves
like a steeplejack, scribbled its target of ovals,
and rose to eye level.

Climbing a profile of gardens, a Nimzo-Indian
chessboard of vegetables, villages, rock with pollen
of lichen, the sunflower steadied its petals in zodiacal
yellow, and struck like a clock.

All the world's plenty, all the brazen particulars - a bull's eye
of seeds with the pips pointing down into chain-metal, an obsidian
disk bulging with roe like a carp - took on the hardness
of Chinese enamels

and opened its perfect meniscus. Then the terrible
heaviness began - the falling of bronzes, the hasp at the sunflower's
center breaking away, a fading of planets, eclipses, coronas,
the falling and falling away of the petals -

Time's total weariness, the terrible weight in the sun - all
that hammers at darkness and glows like the baize of the table
  Van Gogh
saw at Arles in the cornfields and candles, a madman painting the
  night till
the sky was delivered again to the crows.

Ben Belitt

The Double Witness

  Poems: 1970-1976

  Double Poem of the

  World's Burning

  [1]

Princeton University Press, 1977©

Max Schoen

Negresco at night

14 July 2016

The New York Times©

A brush with France

An impetuous tendency to celebrate

someone else's country is one that

tempts us to the limit in response

to France. Courtesy, being flouted

in this way, may go so far as col-

lecting a visitor's card from each

of us, with a message of no great-

er scale, of what we cherish most.

For me, with them, it is the land.

       Louis XVIII was a great fan of peaches.

       One day his gardener, Saturnin, had his

       son bring the king two perfect peaches.

       The young boy took the peaches in a bas-

       ket to the king. Louis XVIII was charmed

       by the young boy and had him stay while

       he ate one of the peaches. The king then

       decided to share with the boy and offer-

       ed the second peach to him. The boy took

       the peach without hesitation, pulled out

       his pocket knife, and began carefully

       peeling the peach. 

       Seeing this, the king cried, "Malheureux!" 

       and ordered the boy never to peel a peach. 

       "But on my way," the boy explained, "I let 

       my basket fall while collecting mulberries 

       and the peaches rolled in horse dung."

We know how they draw their wines,

their history, their customs from

the land; but how do they extract,

so carelessly, its earthy spirit?

         

Amanda Hesser

The Cook and the Gardener

  A Year of Recipes and

  Writings from the French

  Countryside

Norton, 1999©

op. cit.

Ivan Terestchenko

Tricouleur

Origins of Wednesday xxxii: Whiteness, provisional

I chanced upon a challenging little
trumpet blast today, as we used to
call such things in the era of Mil-
ton, from the chaired head of my
college's African-American studies
program, on why he can't be expect-
ed to vote for Mrs Clinton. It was
in Time magazine, but you can prob-
ably dig it out; and it boiled down
to his sense that she just wouldn't
do much for persons of blackness or
brownness. How one does know how he
feels, being of blueness, oneself.
A man who can govern himself by his
preference in hue, is a stylist to
be reckoned with.

It did gave one a fright, that she 
sported blue for taking Mr Sanders
into the fold. But it was a pastel
kind of thing, not a shade to forge 
a great bond or (as many intimated)
even to stir belief.

I go about in whiteness a great

deal, largely because there is 

Yale. It is known, I think, what

color they flaunt? Without Yale, 

I'd yield to no man in my belief,

our color preferences would in-

stantly be reconciled by acclam-

ation. I realise, one is supposed

to be serious in this deeply sac-

red matter, but I can only in-

sist, I am. Wall off New Haven,

Donald, and let us all swath our

conceits as our soul dictates.

One couldn't predict what it may

do for Mrs Clinton, but it's al-

ways worth a try.

As for ourselves, beguile us all

with masonry, Donald, to wall off 

a hue that can say why we cry. 

Baa-aa, baa-aa, baa-aa.

Dries van Noten

White for S/S 2016

Irving Penn

Vogue, 1949

Burgee unknown

A day for the attention span

To what can one object, as
Summer's statecraft rituals
persist in their debauch of
sweetness' time, itself? On-
ly their redundancy? Or the
pond'rous turn they give to
emptiness. A second treaty
of Portsmouth in 111 years,
another grief cycle in Dal-
las: really, the same day?

  Like you, one feared all of
  this coincidence would soon
  be snatched up, as it seem-
  ingly always is these days,
  as irony, and not the mean-
  ingless proof of our rather
  long sojourn in one place.


  Pope understood where we'd
  be, in a brilliant defense
  of allegory as preamble to
  his Temple of Fame. It's a
  schoolboy's recollection -
  and it's obvious, where it
  comes from. If it rolls a-
  long, it isn't irony, it's
  leading one to expect it.
  

          ..                     behold another Crowd

          Prefer'd the same Request, and lowly bow'd,

          The constant Tenour of whose well-spent Days

          No less deserv'd a just return of Praise.

          But strait the direful Trump or Slander sounds,

          Thro' the big Dome the doubling Thunder sounds,

          Loud as the Burst of Cannon rends the Skies,

          The dire Report thro' ev'ry Region flies:

          In ev'ry Ear incessant Rumours rung,

          And gath'ring Scandals grew on ev'ry Tongue.

          From the black Trumpet's rusty Concave broke

          Sulphureous Flames, and Clouds of rolling Smoke:

          The pois'nous Vapor blots the purple Skies,

          And withers all before it as it flies.

Alexander Pope
The Poems of
  Alexander Pope
John Butt,
  editor
  The Temple of Fame
  328 - 341
  1711
Yale University Press, 1963©
op. cit.

Piergiorgio Branzi
  Mykonos
  1959

Damon Winter
  Donald Trump
  June 13, 2016
The New York Times©

Rui Morais de Sousa
  Portugal
  1983

Unnervingly annoying

  A trick seems to have been
  played on layouts of post-
  ings in recent hours. They
  all were shifted. Half the
  fun of playing here, is to
  move things around surely.
  Everything's shunted left.

Clean shirt restorations

          

   
   A long-standing pursuit,
   observed by Jasper Por-
   ter for KIN, David Chip-
   perfield for the Neues
   Museum Berlin (renova-
   tions, 1999-2009), and
   other contributors. We
   like to stay connected.

Salutary rituals and the other kind

Sunday seems as good a day as any,

don't you suppose, to ponder the

problem of the eerily metabolic

propensity of this political year,

for shoveling forth execrable data.

Just as an innocent observer of the

passing scene senses an aperture of

daylight, a new cascade of nausea

reaches one in headlines, declaring

the latest in revolting misconduct,

from the most incurably treacher-

ous mendicants for one's favor, in

the best of circumstances. Throw in

the gathering incidence of massacre,

add the ongoing orgy of ambition in

the media, and a simple smile, when

published, can be read as a symptom

of bipolarity, or of lewd denial. 

Yes, these are the rituals which ab-

sorb our betters, but they tireless-

ly enlist one in them. In life, an

observance of dental hygiene reminds

a normal man of his entitlement to

his own senses; and despite an ad-

mittedly constructive downside to

this gainful indulgence of ritual,

when it's over he enjoys the sensa-

tion of release which is the hall-

mark of responsible conduct. He can

allow his waistband to ride where

it may; with a conscience so clear,

he's his own time left for morning.

                Oh Rokehope is a pleasant place

                If the fause thieves would let it be

Ford Madox Ford

The Last Post

  Epigraph from a

  Border ballad

1928

Vintage Books, 1979©