Le vin bleu

   Does the frame shift or does

   the light, and where does it

   come from - where does eith-

   er come from? In yet another

   vigorous essay for The New

   York Review, we spy Jed Perl

   out chasing Picasso, seeming

   to refute frame after frame

   of consensus and bringing to

   light a coherency in 3 major

   exhibitions running in Paris

   and New York. It's my birth-

   day, I'm allowed to say what

   I want. I want to go asking.

Jed Perl

You Can't Catch Picasso

The New York Review of Books

December 18, 2014©