He put the coffee
In the cup
He put the milk
In the cup of coffee
He put the sugar
In the café au lait
With the coffee spoon
He stirred
He drank the café au lait
And he set down the cup
Without a word to me
He lit
A cigarette
He made smoke-rings
With the smoke
He put the ashes
In the ash-tray
Without a word to me
He got up
He put
His hat upon his head
He put his raincoat on
Because it was raining
And he left
In the rain
Without a word
Without a look at me
And I I took
My head in my hand
And I cried.
Sometimes the balloon does not go up, sometimes it goes where one least expects - except that misdirection is to be expected. One can take the elaboratest precautions to defy the fact, without changing it: one is not the balloon. I deny that the play is ill judged, and I know better than to deny tears. One can manipulate ballast, jettison things, adjust the inflation; one can exercise a good deal of control, or less, which is only harder; but when the mooring is lifted, publication is a balloon. I like it when the balloon goes up, and when it does not, there can be suffering, but no regret. I am a balloonist.
That figure who enjoyed my coffee, smoked in my house, got up and left? I figure, he knew that, and already knew or quickly discovered, ballooning is not for him. Here's a publication which will gain, on any given occasion, the most intense referral, igniting a spontaneous blaze for a single insertion, which originally may simply smoulder in a corner somewhere, for weeks. Comparatively few people habituate this publication, but I do know something about them all. They are balloonists, too. I have one in particular in mind, who can help to illuminate this lark, and who happens to inspire its argument.
Beyond any doubt, he is a cultivated master of his craft, but his passion is to suspend all of that in the pursuit (I beg you to believe) of surfable waves, a species of ballooning known for saltier countenances than our aerialism allows. He writes to me, that the season at his favourite marine haunt is somewhat tepid this year, that they have had years of finer waves - vintages, can you stand it, pretty much exactly as Virgil said; but the company has been marvelous. This is our tendency. If you will the risk, to be tumbled or stolen aloft, you will the company; and sometimes, you must be.
This morning, then, dispatching the spent coffee and airing out the place from that nervous cigarette, already there are readers who have scattered, and frankly the vestigial company is marvelous. Here, text is not a verb, and only a piece of the noun, which is context; and that is where the balloon, the surfboard is drawn. It's Friday, but the game is still ballooning. We gauge the wave. We pick our breeze; and both are always volatile. The thing is, to let go the line. Faites vos jeux.
The balloon may go up.
Jacques Prévert
Paroles
Breakfast
1947
Lawrence Ferlinghetti, translation
1949
City Lights Books, 1958©
I hope each increases more and more
ReplyDeleteballoonist all. very interesting. I too like no strings attached.
ReplyDeleteI'm trying to discuss a shared willingness to pursue an unscripted journey, not necessarily to refuse strings (notice the last couple of lines of the poem). The line let go is the line of assured redundancy in travel.
ReplyDeletethe poem
ReplyDeletethe post
one of your most beautiful
by far.
brevity and clarity
Thanks vm.
ReplyDeleteI wish you some better Thursday, many many more...
ReplyDeleteThank you for your wish, I shall promote it to "demand" rank and see what I can do. And for you, the gorgeous book the periodicals couldn't handle if they tried, on the African journey. Merci.
ReplyDelete