The twelfth and thirteenth
centuries, studied in the
pure light of political e-
conomy, are insane .. One
artist worked for Mary of
Champagne; the others work-
ed for Mary of Chartres,
commonly known as the Vir-
gin; but all did their work
in good faith, with the
first, fresh, easy instinct
of colour, light, and line.
Neither of the two Maries
was mystical, in a modern
sense; none of the artists
was oppressed by the burden
of doubt; their skepticism
was as childlike as faith.
If one has to make
an exception, per-
haps the passion of
love was more seri-
ous than that of re-
ligion, and gave to
religion the deepest
emotion, and the most
complicated one, which
society ever knew.
Incomparably the most strenuous text ever assigned to me as an undergraduate was this book. You may marvel at how easily we got off in those days, or you may wonder what deficit of compre-hension made it so arduous. Our youth was being gutted to a close, our maturity was being stigmatised. Adams had known these experiences in a lucidly troubling way, of which this book is a literal tour. We are fortunate, who do not resemble Henry Adams. But the extremity of our youth was a godsend; or when we turn to him, reading in the ruthless mode of our day, only period quaintness and disability might survive. Gérard, whose ditziness is that of our dearest friend, was never so impressive as he was in undergoing this.
In his autobiography, Adams confesses to our kind of education. If [college] gave nothing else, it gave calm. For four years each student had been obliged to figure daily before dozens of young men who knew each other to the last fibre .. and no audience in future life would ever be so intimately and terribly intelligent as these .. Whether this was, or was not, education, Henry Adams never knew .. As yet he knew nothing. Education had not begun.
I admire more gigantically
his claim to what he knew,
than if it were the whole
of Widener Library by heart.
Henry Adams
Mont-Saint-Michel
and Chartres
XI: The Three Queens
op. cit.
The Education
of Henry Adams
An Autobiography
1906
Massachusetts Historical Society
1918
Charles Francis Adams, 1946©
Houghton Mifflin, 1961©
fyi:
ReplyDeletehttp://isola-di-rifiuti.blogspot.com/2012/02/frank-oharas-favorite-painting-in.html
I thank you for the referral, indeed any reminder to revisit this fun site. I'm posting this comment here although possibly you were thinking of an e-mail by other means ("any ghost pursued," as Latta whimsically says, is not off-base in reading "Mont-Saint-M & C"), and I'll link to a Bellini, anytime. Hoping you have been well, yr obt svt, L
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