The car stops, not because
the driver thought they'd gone
far enough or because the woman
said, "I'm sick," or the boy
had to pee. It simply stopped
because it had to, and when the
three get out and he pops
the hood they discover the fan
belt had vanished and the engine
shut down, wisely. It could
be worse - a cylinder could seize
for no foreseeable reason and send
them into irreversible debt.
Cars are, after all, only
machines, and this one -
a '48 Pontiac Six - is
aged and whimsical. It could
be much worse - the Mojave
in mid-July with no shade
in sight or northern Ontario
in winter, the snow already burning
the backs of Father's hands and
freighting Mother's lashes. They've
stalled descending into a gully
in rural Pennsylvania, a quiet
place of maples leafing out,
a place with its own creek
high in its banks and beyond
the creek a filling station,
its lights still on after dawn,
the red and green pumps ready to
give, and someone there, half-awake.
Against occasion-
al custom in these
entries, this poem
is recited in full,
to remember the in-
dependent proprietor
of the most diligent
poetry offerings of
any shop in Virginia.
Philip Levine
The Last Shift
Pennsylvania Pastoral
Edward Hirsch
editor
op. post.
Alfred A. Knopf, 2016©
Xiaoguang Tse, photography
Freddy Keith
Next
No comments:
Post a Comment